Friday, August 28, 2009
Monday, August 24, 2009
For the Family
Adventures with Lisa and Mike:
El Mercado y Mi Tierra con mis padres:
Dogs, Easter, Mother's Day, and more:
Austin visit:
Wimberly Visit, May 2009:
Dad's Birthday, July 28th:
Friday, August 21, 2009
Nature's Latest
Canada

Click the photo to view the slide-show
Shadowing Billy Calzada
Photojournalists use a variety of techniques while covering their assignments, but there is one technique that I believe is the most essential and cannot be learned, only felt. It is the ability to feel compassionately towards your subject with a loving gratefulness that they are here, here to share their stories with the people around them whose perception of the community- perhaps unawaringly- is determined by what they couldn't see themselves and what only photographs can bring them. That desire to share all things truthful and real is, I believe, the greatest determinant in one's ability to work as a photojournalist, as compared to other fields of photography.
I was able to see this essential method of a photojournalist in action last Thursday evening, while observing Express-News photojournalist Billy Calzada on assignment at the home of Maria Altamira, or "Tweety." I was in the Express newsroom checking the Photo Request Form when I heard about the assignment, the summary reads:
"Everyone calls Maria Altamira "Tweety." She has scores of the stuffed cartoon bird outside her home [given by friends, family, locals], which is called the "the Tweety House" by locals. She picked up the nickname at a local bar, where a man named Sergio (i.e. "Sylvester") used to chase her around and throw water on her. Tweety has had a rough life - her son is in prison and the father of her 5-year-old daughter was deported, among other travails. The Tweety symbol reminds her to be strong and happy."
Photo-editor's notes: "Billy, looking for a multimedia piece from this. Audio slideshow or video. It should get some nice love on line. -- William ["the super pro" Luther]"
Billy Calzada is the guy photo-editors assign these stories to - he has the lovable personality that people take to, his professionalism and ability to create a multimedia piece in mere minutes unimpeded by cracking jokes, laughing, and having fun in the process (when appropriatte) - not to mention, he's bilingual! He has worked at the Express for almost ten years, and has only recently in his career taken up video/multimedia production, yet he works the medium with the same dedication for professional quality as with his stills.
It was a very good learning experience for me to observe the way Billy accomplished the assignment. He meets the family with a greeting known best by the family-of-a-hispanic-community in San Antonio- "Como Estan?!" - followed by introducing the camera to his subject and calmly asking them questions. This family was really nervous before Billy arrived, they came outside and asked me what was going to happen and I reassured them that he would "just ask a few questions and take some video." Sure, Billy did ask some questions and take video, but he did so in a way that made the shy children talk (who wouldn't speak to me), put the family at ease and be in their comfortably natural state, and he received his subjects in the way of a freind who isn't there with any lack of interest or passion to tell their stories. He was shooting photos of the family in a natural state before I could even pick up my camera, and they noticed the lens by the time I did. He was instinctive and the whole process looked completely natural to me - something I'm still working to acquire, of course.
I look forward to speaking with Billy again next week, and learning from all the professionals at the San Antonio Express-News. Thank you again Billy and all for inspiring students and reminding me why I love this "job" with all my being - it's more like a lifestyle of preserving history and sharing the stories of others and our own experiences with the community, our world that relies on the photograph not just to be informed, but to feel the curious and inspired emotion as a witness to this life and the times - the same feeling one must have to really be a photojournalist.
Billy Calzada interviews Maria Altamira, or "Grandma Tweety," outside her home at the 1700 block of San Fernando St. Thursday. Known as "the Tweety House" by locals, Altamira owns over 250 tweety birds, given to her by family, friends, and visitors.
Angelica Altamira laughs as Billy Calzada interviews her mom, Maria Altamira, or "Grandma Tweety."
A real Tweety adorns the home
Billy laughs with Amber Altamira, 4, at her "Grandma Tweety's" home.
Here is the video Billy produced. His slideshow of images can be viewed at mysa.com
From the Street
Wednesday, August 19, 2009
Spring Semester Portfolio
Tuesday, May 5, 2009
Final Exam Portraits - Griselda Lourdes
Alamo-Fiesta owner Griselda Lourdes poses with a skull sculpture Tuesday May 5. After her mother Consuelo Perez de Cortes died of a heart attack the same hour her brother Juan Luis Cortes was married, Lourdes left Mexico to help her oldest brother Gerardo Cortes through a depression. The skull symbolizes the Mexican holiday Dia de Los Muertes, a festive celebration that honors dead family members, reminding Lourdes of happier times as a child when her father Juan Cortes I would make candy on November 1 until he died when Lourdes was 23.
Griselda Lourdes talks with a customer on the phone at her shop Alamo-Fiesta on E. Ashby and N. Main Ave Tuesday, May 5. She and her son have owned the shop for seventeen years, which is inside a house built in 1905.
Sunday, May 3, 2009
Spring 2009 - One to Remember
Here's some from the Source Awards:
Wednesday, April 15, 2009
First Softball Game
Friday, April 3, 2009
Poems of Reflection
This book is a reflection of past ideas and thoughts which have stayed with me, of original and unoriginal poems collected from my sophomore year in high-school, cataloging the efforts of someone trying to find his place in the world. No matter how many new ventures taken or chapters in my life written, these poems read the same soul-inspiring way they always have.
Since taking up the challenge of becoming a photojournalist, I have been enriched by a lifestyle of constant interaction with everything intrinsic to life, of capturing history and emotion in a tangible form, although the future can sometimes appear too far away for me to grasp.
Throughout such moments of uncertainty or confusion, I have been reassured by my never fading confidence that no matter where I end up, I'll know that I worked my hardest and with the fullest of heart to get there (nobody said it would be easy). And I won't allow myself to be anything less than happy, loving, and grateful, too.
This book of poems reminds me of what I've always known, and reading through it helps remove any doubts or suspicions that my life will somehow be less fulfilled.
On looking back on what could have been:
Summer Storm
We stood on the rented patio
While the party went on inside.
You knew the groom from college.
I was a friend of the bride.
We hugged the brownstone wall behind us
To keep our dress clothes dry
And watched the sudden summer storm
Floodlit against the sky.
The rain was like a waterfall
Of brilliant beaded light,
Cool and silent as the stars
The storm hid from the night.
To my surprise, you took my arm–
A gesture you didn't explain–
And we spoke in whispers, as if we two
Might imitate the rain.
Then suddenly the storm receded
As swiftly as it came.
The doors behind us opened up.
The hostess called your name.
I watched you merge into the group,
Aloof and yet polite.
We didn't speak another word
Except to say goodnight.
Why does that evening's memory
Return with this night's storm–
A party twenty years ago,
Its disappointments warm?
There are so many might have beens,
What ifs that won't stay buried,
Other cities, other jobs,
Strangers we might have married.
And memory insists on pining
For places it never went,
As if life would be happier
Just by being different.
On the choices made and directions taken in life; my recent (past year) pursuit in becoming a professional photojournalist:
The Road Not Taken
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth.
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same.
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference.
-- Robert Frost
